Category Archives: Writing

For Writers: Re-visioning, Rewriting, and Other Forms of Fine-tuning Your Fiction

As with all writing advice, mileage will vary according to the individual. The best thing as a writer that you can do is to pay attention to your own process and make it more effective. Experiment with lots of things, identify the practices that work, and incorporate them into your process. Keep experimenting, mixing things up a little, every once in a while, writing to the sound of whale songs, or dictating while hiking, or using a pen rather than the keyboard — it doesn’t matter what as long as you keep testing things in a way that lets you grow as a writer.
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Home Stretch For Hearts of Tabat

So my promise to myself is that the sequel to Beasts of Tabat, Hearts of Tabat, will be DONE by November 14th, which is my birthday, and which I plan to spend with Skyrim and a nice sativa (legal here in the marvelous land of WA) and not one ounce of work throughout the day as a thank you to me for working my butt off the last six weeks and getting this DONE.

The book is scheduled to be released at Emerald City Comicon next year, so you may see why the time pressure has stepped up in intensity. I told myself I’d get it done this year, and I have, along with a whole bunch of stories, not one but two collections, the update of Creating an Online Presence for Writers, a bajillion trips, and opening the Rambo Academy for Wayward Writers, including cool new classes from Rachel Swirsky and Juliette Wade, so I feel darn good about how much I got accomplished this year despite SFWA’s demanding maw chewing up my time on a consistent basis.

I thought, however, it would be useful perhaps to people to see what the last bits of work involve.
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WIP: The Wizard of West Seattle

This will be going out to Patreon supporters towards the end of the month. It’s urban fantasy, set here in West Seattle.

Being the apprentice for one of West Seattle’s main wizards – probably the main wizard, many thought – was not at all what Albert thought it should be. He’d been installed in the position two weeks ago and so far, all May Hua had asked him to do was walk her dogs, two elderly but still energetic Shih Tzus, three times each day. The rest of the time he studied in the workshop, but it was a self-appointed path and it made him itch, knowing that he could have moved so much faster if she’d been willing to guide him along it.

He said this – not for the first time – to Penny as they walked along. Penny was the housekeeper for Hua’s household, but like Albert, she was frequently at loose ends and so accompanied him on many of the walks. At first he’d been worried she was attracted to him, but it became clear soon that she was bored and he was a fresh novelty. “It’s been a while since May took an apprentice,” she said. She was appreciative of Albert’s presence, particularly since he praised her cooking vociferously. He’d learned a few things since his first, disastrous stint as an apprentice.
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Finishing a Novel

Today I finished Hearts of Tabat. Sure, I’ll go back and do some smoothing before sending it off to beta readers on Monday, but the book is done, the scenes are there, and (roughly) in the order they should be. … Continue reading

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Class Excerpt: On Story Basics and Ways into Stories

I’m finishing up the Moving from Idea to Draft class, or rather finishing up the writing phase and still need to shoot a couple dozen little videos, ugh. But I wanted to share this from the introduction to the class because I thought it might be useful for some people plus maybe tantalize a few into trying one of my on-demand or live classes.

I begin with some basics of story mechanics. Quite probably much of it will be familiar — feel free to skim if you feel like you’ve heard all of this before.
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Class Excerpt: On Creating a Story When You Have the Plot

I’m finishing up the year by trying to wrap up writing the on-demand version of my Moving from Idea to Draft class. This is a tough translation, because the live class depends heavily on what the students have brought: I try to help them go deeper into the idea each has brought to class and show them ways of fleshing it out.

For the on-demand class, what I’m doing is looking at each of the various ways I’ve seen stories develop and doing a section on each, looking at what it is, what it gives you to help with fleshing out the story, possible trouble spots, some ways to proceed with it, and then two or three exercises to refine skills with that, each with a basic and then an overachiever version, a model I used with the Description and Delivering Information class. There’s twenty-three sections altogether, but here’s the section on starting with a plot, minus the exercises.
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Writing: Description, Details, and Delivering Information

I’m working on converting the Description and Delivering Information class to the on-demand version, along the same lines as the Character Building Workshop and the Literary Techniques for Genre Writers workshop, and hoping to finish it up over the next couple of days, which may be overly ambitious, because a) I am doing NaNoWriMo, b) life is complicated by Orycon and then a Thanksgiving trip on the 20th and c) this is my birthday weekend and I like to slack a little.

So, what’s the difference between taking one of my live online writing classes and the on-demand versions?
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Ten More Plots Taken From Other People’s Problems

Again taken from helpineedhelp.com: I don’t know what the back of my head looks like. I’m a peeping tom. I don’t know what fork to use. I forgot my password. I need a dream recommendation. I forgot someone’s name. I … Continue reading

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Nine Ways to Rev Up For NaNoWriMo 2015

November has come to represent something for many writers: a chance to participate in NaNoWriMo, National Novel Writing Month. Participants pledge to write 50,000 words over the course of the month.

The main advantage of NaNoWriMo is the shared energy and impetus to get words onto the page, without worrying about whether they are genius or not. I’ve done it several times in the past, and always managed to either hit the 50,000 word mark or come within a few thousand words of it. While I don’t usually participate in local NaNoWriMo events, like the various write-ins at coffeeshops, libraries, and associated institutions, I do appreciate the feeling it brings of being part of a vast swell of words.
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Retreat, Day 25

Today’s wordcount: 3001 (so far. plenty of daylight left.) Current Hearts of Tabat wordcount: 119954 Total word count for the week so far (day 6): 23568 Total word count for this retreat: 70229 Worked on Hearts of Tabat, “Moderator,” untitled … Continue reading

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