Monthly Archives: April 2017

Reading Doc Savage: Land of Always-Night

In packing for a trip, I discovered I’d somehow bypassed some of the earlier Doc Savages, so we backtrack now to book 13: Land of Always-Night. On the cover, Doc, wearing torn shirt and steampunk goggles, looks back and away from a grove of giant mushrooms, not noticing the several odd figures vaguely resembling the Monarch from The Venture Brothers menacing him with raised hands.

This one has to be my favorite beginning yet:

It is somewhat ridiculous to say that a human hand can resemble a butterfly. Yet this particular hand did attain that similarity. Probably it was the way it moved, hovered, moved again, with something about it that was remindful of a slow-motion picture being shown on a screen.

The color had something to do with the impression. The hand was white, unnatural; it might have been fashioned of mother of pearl. There was something serpentine, hideous, about the way it strayed and hovered, yet was never still. It made one think of a venomous white moth.

It made Beery Hosmer think of death. Only the expression on Beery Hosmer’s face told that, for he was not saying anything. But he was trying to. His lips shaped word syllables and the muscle strings in his scrawny throat jerked, but no sounds came out.

The horrible white hand loaded up toward Beery Hosmer’s face. The side street was gloomy, deserted except for Beery Hosmer and the man with the uncanny hand. The hand stood out in the Merck almost as if it were a thing of white paper with a light inside.

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Playlist for Female Leaders

Women in leadership positions face a lot of unwonted and unwanted bullshit. Self care’s important, both physically and mentally. Here, for your weekend, is some music. This is some of the playlist I listen to when walking.
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Nattering Social Justice Cook: Time to Fix the Missing Stair

The following is my personal opinion and unconnected to any SFWA activity. I am speaking as a member of the speculative fiction community, one that has been involved in it for a decade and a half now, and one that has watched its internal workings with interest.

I met Monica Valentinelli in 2016 at GenCon. I don’t know her well, but I’m proud to count her as a friend and she is one of the people I have consulted with about issues gamewriters face and what SFWA can do to assist them. She has been a valued bridge-builder, and I trust her judgment. For those who don’t know about the recent events prompting this essay, here is her account of the event as well as some reactions.

Monica is currently being punished for speaking out, with vitriol, suggested boycotts, and more, all for going public about her decision. Forces with an interest in women not speaking out have decided to make her a cautionary tale, particularly since she’s dared to lead to other people, including men, to follow her example.
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Nattering Social Justice Cook: Supporting The Next Generation

If you don’t know about DonorsChoose, it’s a great program that lets you support individual classroom projects. I sponsored one in honor of my aunt Nona. Here’s the lovely thank you note I just got.
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Upping the Number of Plunkett Slots

Something I’m trying to do this year is pay things forward as much as possible. Recent technological upgrades means I can now fit more than 8-9 people in a class (can now handle up to twice that many, which is more suited to some classes than others), so I figured one way to do that is to make more class slots available to people who couldn’t otherwise afford the class.

So, each class now has three Plunkett scholarship slots, the third of which is specifically reserved for QUILTBAG and POC applicants. Everyone is encouraged to apply, but I want to make sure it’s getting to a diverse range. The only qualification for a Plunkett is this: you would not be able to afford the class otherwise. Just mail me with the name/date of the class and 1-3 sentences about why you want to take it.
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