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Tag Archives: online writing classes
One of the things that I’ve been working on in the past six months is converting all of my live classes to on-demand versions. A few months ago I decided to try the Idea to Draft class and found it presented more problems than any of the others. I will spare you the saga, which I have blogged about elsewhere. Here’s the section on story basics, and here’s the one on what to do when you have just a scene. I will be teaching the live version, in which I work with students on their specific ideas, on July 9, which will be the last time I teach the live version in 2016.
I am very proud of this class, because I don’t think there are any other classes that take the same approach. I’m turning it into a book, which may be e-form only because it’s going to have a wordcount in the 100k+ range when you add in all the example stories. While Creating an Online Presence is, i think/hope, useful for writers on the business and career level, this is a book that works at the craft level and incorporates a lot of my story theory, the stuff that has evolved out of teaching and writing and thinking a lot about these things.
Here’s what’s coming up in June and July, which is also the last round of classes for 2016. I am taking the rest of the year off from teaching (other than maybe a co-taught class or two) in order to … Continue reading
Having finished up the big April projects, one of the main things I want to get accomplished this month is getting the on-demand version of the Moving From Idea to Draft online writing class up along with the existing on-demand classes.
This has proven a somewhat monumental task, because the needs of the on-demand version are very different than those of the live class. In the live workshops, which are limited to eight students, everyone comes in with a two-three sentence description of their idea, and we work from there, adapting the material to what they’ve brought into class.
For the on-demand version, I started by trying to identify all the different ways there are into a story, a number that fluctuates in the realm of two dozen, depending on how finely I want to draw distinctions.
What I’ve done with each possible path is identify what it is, what it gives you as a starting point, things you will want to consider, possible pitfalls, next steps for fleshing it out, and a set of exercises (with basic and overachievers’ versions) to help explore the starting point. I finish, in what I am still worried may be an excessively egotistic move, by providing a story of mine that started in that way and some notes on its development from the starting point.
I’ve still got room in this weekend’s classes, Beginnings & Endings (Saturday morning) and the Character Building workshop (Sunday morning). In the first, I’m going to talk about a number of things, including how to use your beginning to create … Continue reading
Here’s the most recent class listing and important news about the Writing F&SF Stories and Advanced Story workshops.
I will be offering two sections of the Writing F&SF workshop and one of the Advanced Story Workshop, but they are dependent on getting at least five students in order to make it financially feasible for me. If you want to sign up for one, drop me a line with the information about which class and what times work best for you, and I will be announcing dates as they solidify. Expressing interest does not commit you, but lets me gauge whether or not there is enough interest in a date/time slot to make it viable. You will not need to pay until the week before the class starts; the overall workshops will be six two or two and a half hour sessions, depending on the number of students enrolled.
At least, those are my mental tags for the two classes. The first is Description and Delivering Information, and it’s how to get what you need on the page while avoiding big clumps of information and as-you-know-Bob that make a reader stumble and fall right out of the story.
2015 was a good year for publications, including a few nonfiction ones. Huzzah! Part of that was the Patreon campaign, another was the flurry of promotional pieces I released to accompany my first novel. 34 stories published in one year is a record for me, although many of them were flash pieces and/or self-published either as publicity for my novel or for my Patreon campaign. Here’s the month by month breakdown, with some stats and what’s coming up in 2016.
I’m working on converting the Description and Delivering Information class to the on-demand version, along the same lines as the Character Building Workshop and the Literary Techniques for Genre Writers workshop, and hoping to finish it up over the next couple of days, which may be overly ambitious, because a) I am doing NaNoWriMo, b) life is complicated by Orycon and then a Thanksgiving trip on the 20th and c) this is my birthday weekend and I like to slack a little.
So, what’s the difference between taking one of my live online writing classes and the on-demand versions?