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Tag Archives: hugo awards
Let us begin by acknowledging that this is a rancorous period, full of clashing agendas, bewildered onlookers, and all too many innocents caught in the crossfire. And that right now making an eligibility post particularly mentioning Hugo Award categories like Related Work is something that some of us are circling and wondering about.
And my answer is yes. Yes, you should. Why?
One of the things I’ve been trying to do in recent years is look more at the history of the field. In the thrift store, I love finding F&SF anthologies from the 60s and 70s, in part because it’s interesting to see which names kept on going, which faded away. Often the most riveting story in a collection is from a writer whose name I’ll only see that once. In reading anthologies, I find that often one of the most revelatory parts is the introduction, less for anything said about the stories than for clues to the publishing climate at the time.
Recently in the thrift shop, I picked up a couple of paperbacks: two volumes worth of early Hugo winners, edited by Isaac Asimov. Of course I bought them. How could I not, in light of recent controversies? They’ve been an interesting read – particularly when I’m reading the first Nebula volume at the same time — and sometimes illuminating.
Hugo nominations have opened and with that, an array of canvassing and promotion techniques have begun to be deployed, which will no doubt continue until the actual awards are awarded and everyone can briefly calm down before a new season begins.
The thing I’m not fond of, which has arisen in recent years, is the idea that one should vote according to one’s politics, and plunk down a vote for the “right” books without bothering to read them. Continue reading
Day Three here, so I thought I’d describe what it’s like. We’re renting a condo that overlooks the beach, towards the northwest end. The place is great, and there’s a balcony that is literally bigger than our living room back home. We share it with a tiny lizard that is living in the drapes in the living room.
Amal El-Mohtar has a great blog post up right now about writers and posts where they list whatâ€™s eligible for awards. I get as squicky about writing my own as anyone else, Iâ€™ve got to admit, and I thought this was a terrific reminder that itâ€™s okay to toot your own horn a bit.
So in that light, if youâ€™re reading for the Hugo, Locus, Nebula, Tiptree, or World Fantasy Award, here you go.
It’s that time of year when people are stepping up their reading for the various awards and their best of the year lists. I’m making my own, and if you’ve got something I should be paying attention to, please feel free to point me to it in the comments here or mail it to me.
The writer can’t afford to throw away the possibilities of the title, there’s just too much chance to set the hook in the reader there with the right cast. Make your lure beautiful, jingly with poetic principles, flashy or intricate or if you’re among the most daring, something so simple and beautiful in its form that it’s irresistible. Load it with the sensory or weight it with muscular verbs, but make it pull the reader in so your first three paragraphs can render them helpless and absorbed and yours for the story. Continue reading