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Category Archives: classes & workshops
Yay! So much new stuff for the Rambo Academy for Wayward Writers. Let’s start with this shiny thing: a calender! That you can click on and see events like classes, upcoming readings, and convention appearances! So awesome!! So what’s coming … Continue reading
Often when I add new classes, it’s because someone has specifically asked for them. I know whenever I teach something new, it’ll be a learning experience for me as well, because I’ll have to think hard, come up with an … Continue reading
Something I’m trying to do this year is pay things forward as much as possible. Recent technological upgrades means I can now fit more than 8-9 people in a class (can now handle up to twice that many, which is more suited to some classes than others), so I figured one way to do that is to make more class slots available to people who couldn’t otherwise afford the class.
So, each class now has three Plunkett scholarship slots, the third of which is specifically reserved for QUILTBAG and POC applicants. Everyone is encouraged to apply, but I want to make sure it’s getting to a diverse range. The only qualification for a Plunkett is this: you would not be able to afford the class otherwise. Just mail me with the name/date of the class and 1-3 sentences about why you want to take it.
Here’s the latest roster of live classes for the Rambo Academy of Wayward Writers, with links to descriptions. Info that you may want to know: Logistics: Classes are taught online. You need internet connectivity and a microphone at a minimum; … Continue reading
eing able to trust your revision process frees you to write whatever you like.[/caption]Huzzah, I have finished a new class for the Rambo Academy, and I’m very happy with how it turned out. Rewriting and Revising is up at at $19, it’s a pretty good value, though newsletter subscribers should check the latest mail for a coupon for half-off that.
A new live class is happening on Friday, February 24, 2-4 PM Pacific time. How to Write Steampunk & Weird Western will cover gathering and using historical details, ethical implications of both genres, basic mechanical concepts, economic underpinnings, creating texture, dialogue considerations, and more. Plus we’ll do some fun writing exercises. This will get turned into an on-demand class as well, but I know the best way to goose myself along into developing the class in the first place is to do a live version of it, which also lets me figure out what people want to know about the topic.
Over the past couple of weeks, I’ve been taking the material from the live classes on how to write space opera with Ann Leckie and turning it into an on-demand class for the Rambo Academy. I am charmed and pleased … Continue reading
There is still room in the two live classes left this year, both happening next weekend. The first on Saturday is Linguistics for Genre Writers with Juliette Wade, at the usual 9:30-11:30 AM Pacific time. This class differs from pretty much every other one I’ve seen in that Wade doesn’t just cover linguistics and worldbuilding, but how to use the principles of linguistics to strengthen, deepen, and otherwise improve your prose. I heartily endorse it.
The second, which is also a really fun and informative class, is To Space Opera and Beyond with Ann Leckie. Technical difficulties hindered the first sessions but everything is smooth and running well now! In this class, Ann talks about space opera, its characteristics, how to handle them, and the process of writing not just a single novel but a series, while we provide writing exercises to take away and use to apply what Ann has told you. Ann is a lively and congenial teacher, funny without being snarky, and above all encouraging and inspiring. I’m really looking forward to the next class, which happens on Sunday, December 11, 9:30-11:30 AM Pacific time. There is still room in that and the Saturday, January 7 class at the same time.
When I sat down to work out the outline for my Moving from Idea to Finished Draft, I came up with almost two dozen possible starting points for writing a story, including scene, title, taking an old plot, a character, dialog, a particular device, and more. As I finished writing it, those categories shifted around a little, sometimes sliding together, other times diverging, but I did think I’d managed to exhaust the possibilities…
…only to be proven wrong, of course. A week or so ago at the Surrey International Writers Conference I was absolutely delighted when an audience member hit me with a new one that I hadn’t considered at all.
From the Surrey International Writers Conference, Sunday, October 23, 2016 keynote:
I would ask if you’re having a good time but I know that you are, I’ve been so impressed by the enthusiasm, the professionalism, and the talent here, and amazed at how well the presenters are taken care of by the conference. Thank you for the chance to be here.
I figure you are all already stuffed full of writing advice, so I wanted to give you some things for after the conference. First off, go home and sleep. Decompress. You’ve been working hard all weekend and you deserve it.