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Category Archives: classes & workshops
If you’re gift-buying, be aware you can gift one of my classes, both live and on-demand ones! Just drop me a line about what you’d like to do and I’m happy to send the gift certificate in virtual or physical … Continue reading
Writing Steampunk That’s More Than A Glint Of Gears: Resources for Finding the Other In Steampunk and Weird Western
One of my projects this year has been fleshing out the on-demand version of the live class I teach, “Hex Engines & Spell-Slingers: Writing Steampunk and Weird Western.” I recently finished up the project and wanted to share some of … Continue reading
Here’s what many of you have been waiting for! The list of classes coming up for the Rambo Academy. I’ll be updating the website over the next couple days but for right now, this is the official, correct, list. Please … Continue reading
A student wrote in to let me know they’d made it into Odyssey, huzzah, and asked if I had any advice about attending a workshop. As a matter of fact I do. Like many things in life, you get more out of a workshop if you’re willing to invest a little effort beforehand, during, and afterward.
I went through a number of workshops in college at both the undergraduate and graduate level, but the place where I learned the most was Clarion West, a six week workshop in Seattle. My instructors were Octavia Butler, Andy Duncan, L. Timmel Duchamp, Connie Willis, Gordon van Gelder, and Michael Swanwick; my classmates included Ann Leckie, E.C.Myers, Rashida Smith, and Rachel Swirsky, among others. If you read a lot of F&SF, you may recognize many of those names and realize how incredibly privileged I was to be part of that year.
Yay! So much new stuff for the Rambo Academy for Wayward Writers. Let’s start with this shiny thing: a calender! That you can click on and see events like classes, upcoming readings, and convention appearances! So awesome!! So what’s coming … Continue reading
Often when I add new classes, it’s because someone has specifically asked for them. I know whenever I teach something new, it’ll be a learning experience for me as well, because I’ll have to think hard, come up with an … Continue reading
Something I’m trying to do this year is pay things forward as much as possible. Recent technological upgrades means I can now fit more than 8-9 people in a class (can now handle up to twice that many, which is more suited to some classes than others), so I figured one way to do that is to make more class slots available to people who couldn’t otherwise afford the class.
So, each class now has three Plunkett scholarship slots, the third of which is specifically reserved for QUILTBAG and POC applicants. Everyone is encouraged to apply, but I want to make sure it’s getting to a diverse range. The only qualification for a Plunkett is this: you would not be able to afford the class otherwise. Just mail me with the name/date of the class and 1-3 sentences about why you want to take it.
Here’s the latest roster of live classes for the Rambo Academy of Wayward Writers, with links to descriptions. Info that you may want to know: Logistics: Classes are taught online. You need internet connectivity and a microphone at a minimum; … Continue reading
eing able to trust your revision process frees you to write whatever you like.[/caption]Huzzah, I have finished a new class for the Rambo Academy, and I’m very happy with how it turned out. Rewriting and Revising is up at at $19, it’s a pretty good value, though newsletter subscribers should check the latest mail for a coupon for half-off that.
A new live class is happening on Friday, February 24, 2-4 PM Pacific time. How to Write Steampunk & Weird Western will cover gathering and using historical details, ethical implications of both genres, basic mechanical concepts, economic underpinnings, creating texture, dialogue considerations, and more. Plus we’ll do some fun writing exercises. This will get turned into an on-demand class as well, but I know the best way to goose myself along into developing the class in the first place is to do a live version of it, which also lets me figure out what people want to know about the topic.