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Author Archives: Cat
Our cover is mainly green, depicting Doc poling a log in what have to be anti-gravity boots because there is no way he would maintain his balance otherwise, towards an abandoned ship. As always, his shirt is artfully torn and … Continue reading
We return to a gentler, more innocent world again with Doc Savage number 16: The Spook Legion. In the intervening time since Quest of Qui, they’ve undergone adventures The Fantastic Island, Land of Always-Night, and Murder Melody. For people interested in undertaking their own reads, here’s an excellent post about which Doc Savage books to start with.
On the red-toned cover, Doc confronts a machine with what seems to be a cabalistic gesture of some sort. Maybe just jazz hands; the cover artist was fond of a particular kind of pose. Careful ok shows Doc is in the process of turning insibile; the bricks behind him are starting to show through.
Author Lester Dent tries to pull off some tricky stuff in this book and it sometimes trips him up, unfortunately. How much that actually affects the book is something I’ll leave to you to judge. It’s also a fairly convoluted book, presenting the information as though sliding things into place to give us the final picture. You have to respect Dent’s ability to plot and willingness to just go all the way with the weirdness at times.
This story originally appeared in the March/April 2016 issue of Fantasy & Science Fiction. It is the story referenced here. It is approximately 7100 words in length. Red in Tooth and Cog A phone can be so much. Your memory, … Continue reading
Okay, let me start here: One of the best parts of being SFWA President or Vice President is that you get to be one of the people calling the Nebula nominees to tell them what’s up. This is a lot of fun because giving people good news is almost always a terrific experience. I’ve ever gotten to call former students on occasion, and thought my heart would burst from joy, because that is a terrific feeling.
This year I woke on February 16, the day we would be making the calls, to find a message from our Nebula Awards Commissioner asking me to give her a call. I did, and she presented me with news that both delighted and horrified me, that my novelette, “Red in Tooth and Cog,” was on the ballot.
Cassie, in the process of shedding a box of Doc Savage novels, found out I loved them and passed them along. I remember Doc and his men fondly; while at my grandparents for a Kansas summer when I was twelve or thirteen, I found my uncle’s old books, which included a pretty complete run of the Bantam reprints and reveled in them for years to come.
I’m going back and rereading while making notes; my hope is that I’ll start to notice some patterns as I move through the books and that I’ll be able to talk about pulp tropes, gender assumptions, reading fiction aimed at a gender other than your own, and writerly techniques in an entertaining and (maybe) useful way. I’ll go consecutively by issue date of the ones I have; I will go back and fill in earlier ones as I run across the books.
So let us begin.
I am running for SFWA President again. Here is my platform statement. Dear SFWA members: I think a proven track record’s a pretty good credential for the Presidential position, and so I propose you let me steer for another couple … Continue reading
ne of the very last goals for this month that hasn’t been crossed off the whiteboard yet is “rework Patreon campaign.” It’s a project I’ve been circling for a while, because I’m aware that if I don’t plan carefully, I am quite capable of both overextending myself and making promises I can’t deliver on. I thought I’d show the thought process as I worked through and rearranged, the rationale behind the changes, and some of what I’ve learned from working with Patreon so far.
I started the campaign two years ago because I wanted a place to push some of the stories I was writing. In that regard, it’s been reasonably successful, and looking back, I’ve published X stories that way, ranging in length from flash to novelette. Some have been publicly available, like Aardvark Says Moo, Seven Clockwork Angels, and Web of Blood and Iron, while others were limited to Patreon patrons only.
eing able to trust your revision process frees you to write whatever you like.[/caption]Huzzah, I have finished a new class for the Rambo Academy, and I’m very happy with how it turned out. Rewriting and Revising is up at at $19, it’s a pretty good value, though newsletter subscribers should check the latest mail for a coupon for half-off that.
A new live class is happening on Friday, February 24, 2-4 PM Pacific time. How to Write Steampunk & Weird Western will cover gathering and using historical details, ethical implications of both genres, basic mechanical concepts, economic underpinnings, creating texture, dialogue considerations, and more. Plus we’ll do some fun writing exercises. This will get turned into an on-demand class as well, but I know the best way to goose myself along into developing the class in the first place is to do a live version of it, which also lets me figure out what people want to know about the topic.
Over the past couple of weeks, I’ve been taking the material from the live classes on how to write space opera with Ann Leckie and turning it into an on-demand class for the Rambo Academy. I am charmed and pleased … Continue reading