WIP – A Story of the Rose Kingdom

Picture of a stone lantern.This is from a military fantasy story currently in progress. It’s set in the same world as Tabat, although it does not take place in that city, and is referenced in two other works (“Love’s Footsteps” and The Beasts of Tabat.) I hope you enjoy it:

You cannot smell the roses in the hours before dawn. It is only when sunlight touches the vast blossoms, each as large as a human head, that crowd the tallest branches of the Hedge, that the petals loosen. The perfume seeps out into the air then, first as a hint of sweetness, then stronger.

By midmorning, the smell is so intoxicating that approaching enemies lay down their arms and sit, staring into the air, nostrils flared, breathing, smelling. It grows heavier and heavier throughout all the day, and only begins to ebb when the sun completely slips below the ocean horizon to the west. The Hedge borders the Rose Kingdom on three sides, and on the west is that blue line.

This is what has protected the Rose Kingdom for three handfuls of centuries, years and years of peace and protection engendered by a great ancient enchantment whose details are still argued.

But pieces of that enchantment still linger and are renewed each year when a child is given up to the Hedge to become a Knight of the Rose.

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When Jordan’s mother gave him up to the Gardeners, he was four years old. He knew this because much of it been made of his fourth birthday. He was given cake and a folded paper boat of his very own. And most preciously a caress from his mother, which was a rare thing indeed.
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Posted in 2013, Tabat, teasers, Writing | Tagged , | 1 Comment

Writing at the Next Level: Getting Inside Your Character’s Head

Walrus-related graffiti.Once you’ve mastered the basics of getting words on a page and moving characters around through situations, there’s some things that (in my experience) the majority of writers need to focus on. Examples are narrative grammar, paragraphing strategies, trimming excess from sentences, and getting inside a character’s head. Here, I’m going to discuss the last of those.

A lot of this is taken from correspondance with my student Hasnain. He’d asked about story structures, particularly Freitag’s Triangle, and we’d discussed where the triangle occurs in Junot Diaz’s story, Fiesta 1980. In looking at his most recent story, I’d said I thought he needed to get inside his main character’s head more.

Hasnain asked: You mentioned today that going into the narrator’s head is a good thing since it helps the reader seat more firmly with the narrator. However, here’s where I am a bit confused. I read somewhere that what people think and feel should be shown in a sensory way through their actions and interactions with others. If I go into the narrator’s head, wouldn’t I be telling? In my story, this would be if the narrator thinks about how he wants to put Sal’s love to the test.

My reply:

Let’s go back to Fiesta. Here’s some places where I think we’re particularly inside the narrator’s head and seeing his thoughts.

  • We were all dressed by then, which was a smart move on our part. If Papi had walked in and caught us lounging around in our underwear, he would have kicked our asses something serious.
  • Rafa gave me the look and I gave it back to him; we both knew Papi had been with that Puerto Rican woman he was seeing and wanted to wash off the evidence quick.
  • Not that me or Rafa loved baseball; we just liked playing with the local kids, thrashing them at anything they were doing. By the sounds of the shouting, we both knew the game was close, either of us could have made a difference.
  • But even that little bit of recognition made me feel better.
  • This was how all our trips began, the words that followed me every time I left the house.

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Posted in 2013, teaching, Writing | Tagged , , , , | 1 Comment

Giveaway: Near + Far Hardcover Edition, Plus Three Pieces of Jewelry

Huzzah! There’s now a hardcover edition of Near + Far, including a spiffy dust jacket designed by Tod McCoy.

So in honor of the occasion, I’m giving away one of the hardcovers, along with three pieces of jewelry using the Near + Far interior art by Mark Tripp. Three winners will be picked: one will get both book and jewelry, the other two a piece of the jewelry.

What do you have to do to be entered? Evangelize the book ;)

Link somewhere on the Internet (Facebook/G+/Twitter/your blog/(relevant) comments section of another blog/Stumbleupon/whatever) to Near+Far’s page on my website and leave a comment here to let me know that you’ve done it.

If you’d like to listen to some of the stories in audio form, here’s a recently updated list of the ones I know of. ;)

The giveaway ends at 11:59 PM PST on Sunday, April 21, and winners will be announced on Monday, April 22.

Posted in 2013, near+far, podcasts | Tagged , , | 17 Comments

Recent Writing/Publishing Related Links, 4/11/2013

Elizabeth Cady Stanton (sitting) and Susan B. Anthony

One of my favorite pictures of Elizabeth Cady Stanton (sitting) and Susan B. Anthony, late in their lives.

On some other boards I frequent, the question of how to make a publication more diverse has been coming up. Here’s a couple of pieces related to that. The editors of Tin House and Granta discuss how they worked to make their publications more diverse. Anne Finch talks about similar editorial practices. For a breakdown of what the gender ratio was of book reviewers and books reviewed, see the 2012 VIDA count.

For yet another explanation of why this might matter, here’s Deborah Copaken Kogan talking about her experiences as a female writer. And for those confused about why talking about what a woman does is more important than what she looks, here’s this.

I’ve blogged elsewhere about the Night Shade Books convulsions. I wait to see what happens, as do a number of people with a lot more at stake.

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Addendum to Night Shade

Picture of a nightshade plant.I blogged about Nightshade last week, and since then there’s been a number of developments, including modification of the contracts that were so crappy. Authors should be feeling a little happier, at least.

But, I wanted to point to another group that’s involved in this and which is getting worse treatment than the authors, which is the production crew.

Marty Halpern says:

…all the focus online this past week has been the deal that Skyhorse and Start are offering the Night Shade authors. Authors. Authors.

There has been absolutely no mention, nor commitment made, to all the artists, designers, editors (including myself), and others who are owed tens of thousands of dollars — and seem to have been forgotten in all this “discussion” over the authors’ deal.

And now that NS is essentially closed and in “escrow” for this potential sale, the money that is owed to me (for invoices dating back to October of last year) — and all the other production people — may never get paid.

There would be no books to speak of if there weren’t editors, artists, and designers willing to work continuously for Night Shade for just the promise of pay. We are a dedicated lot and deserve to have our story told — and responded to — as well.

I’m afraid that when all is said and done, and the authors make their decisions — some will join S/S, others will not — those of us production people who helped put Night Shade books on the shelves and in ereaders, may be left holding a lot of empty invoices and bills.

Since I first heard about this, Rose Fox has posted about the production crew’s plight, and now there’s an addendum that comes from Jarred Weisfelt at Start Publishing saying that if the deal goes through, the creditors will get 30-50% of what they’re owed.

Better than nothing, sure. And Start and Skyhorse have been both communicative and willing to listen to authors, despite the deluge of “shame on you” comments on their Facebook wall. Still, finding this out is disappointing, particularly since production crew aren’t usually particularly well paid in the first place.

Posted in 2013, Books | Tagged , , | 3 Comments

What I’m Currently Working On

The rewrite of the first book, whose tentative working title is Beasts of Tabat, is off to Seth the fabulous agent, so I’ve started messing with the second book. It’s got the love triangle I mentioned in an earlier post, and I’m contemplating the somewhat odd strategy of having it start, chronologically, at a time point somewhere in the middle of the first book, and show some of that action from a different viewpoint. Crazy? Maybe, but I think it’ll be interesting to try.

At any rate, once I gathered up all the stuff snipped out of the first volume, I found myself with a solid 45k worth of words, and it’s encouraging to think that puts me halfway to a first draft. The second is tentatively titled Hearts of Tabat and while Bella and Teo make appearances, there’s some new voices as well. I hope you all will enjoy them as much as I have.

Other stuff includes a story rewrite that I need to finish up for Glitter & Mayhem, another story that’s due in a couple months, and the usual slew of other stories I should finish. Blah!

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Literary Techniques in Speculative Fiction Workshop

I’ve got a Lit Techniques in Speculative Fiction workshop coming up on Sunday and wanted to mention it to people.

What do we do? We talk about literary devices and how and when to use them. We look at examples. And we do a lot of in-class writing exercises designed to get you using them to good effect in your fiction.

The class is based on a one-day workshop I gave for Clarion West last year. Since then I’ve done the online version twice and gotten some great feedback. I hope you’ll check it out!

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Night Shade Books: Clusterfuck and a Half

So, much of the Internet’s time, at least on the spec-fic side of things, was taken up this week by recent convulsions surrounding Night Shade Books.

Night Shade Books is a small press run by Jeremy Lassen and Jason Williams. Among the books they’ve published are Paolo Bacigalupi’s The Windup Girl, Iain M. Banks’ The Algebraist, the novelizations of the Girl Genius books by Phil and Kaja Foglio, and on and on. In short, they publish excellent stuff.

Night Shade’s been having problems for years. SFWA, the Science Fiction and Fantasy Writers of America, got involved in 2010. Within the past few months, the authors have been asking SFWA what’s up with Night Shade. Here, I get a little confused. I find it difficult to believe that any publisher is quaking in their boots at the threat of being delisted by SFWA. All that being delisted does, as far as I can tell, is prevent that publisher from being considered a “professional market” that people can use to qualify to become a member of SFWA. Big whoop. If this is the biggest club an author has in their arsenal, we are all in terrible trouble.
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Posted in 2013, blogging, Books | Tagged , , , , , , , | 7 Comments

Some Maunderings About Rewriting a Novel

Picture of Cat Rambo with a dragon on her shoulder

The human associated with this fine dragon is Goldeen Ogawa (http://www.goldeenogawa.com/).

So I’m working on this novel. If you’re friend or family, you may know something about it, or even have read one of the many, many earlier drafts.

And I’m really happy with it, but holy cow, is it hard to rewrite a novel. Because you’ve got to manage it all in your head while working with smaller parts of it.

I was trying to think of a comparison to make to Wayne, who is a software developer. And actually, it’s a lot like working on a large program with pretty of submodules and pieces, because when you change one section you need to figure out how it affects all the other pieces. And there’s repeated objects, or other things, and I think a little of those like global variables, so to have to make sure they’re declared before you can start using them. (As you can tell, I spent some procrastination time on thinking this out.)

Something I’m doing, which is probably rather insane of me, is that I transferred the book, which was in a Word doc, back into Scrivener. That’s because I have been severely reordering the scenes. I printed it all out, and went through that hardcopy with pen marking up some stuff and shuffling it around until it was all in the order I wanted it in.

Part of that is the process for dealing with what I’m comparing to global variables. That’s a thing that gets referenced more than once over the course of the book. Because you want it set up right the first time it appears and then for details to unfold about it in an order that makes sense and keeps building on the thing.
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Posted in 2013, Moon's Accomplice, Writing | Tagged , , , , | 6 Comments

Here’s Where I Am At Norwescon Today – Sunday

Person in a Totoro costume, with a road sign in Japanese

Yet another fabulous costume glimpsed at Norwescon 2013.

Reasons to Leave Your Cave
Sunday Noon-1:00pm Cascade 6
Should writing be a solitary profession? How can authors banding together improve their careers? Or is the writing community a distraction from work?
Cat Rambo, Chelsea M. Campbell, Jack Skillingstead, Kevin J. Anderson

The Comeback Genre: Sword & Sorcery
Sunday 2:00pm-3:00pm Cascade 7
Sword and Sorcery has a rich history, going back to at least Howard and Smith. And it’s making a comeback. Our panelists talk about its rich history and why it’s back and better than ever.
Bart Kemper, Cat Rambo

Ask me to sign something and I’ll have a Near+Far pendant for you. ;)

If you’re coming to this blog because you met me at Norwescon and are interested in my online classes, upcoming are:

Podcasting Basics (with Folly Blaine) April 3, 4-6 pm PST
Literary Techniques for Genre Fiction, April 7 9:30 AM-12:30 PM PST
First Pages (with Caren Gussoff) 9:30-11:30 AM PST, April 14
Flash Fiction Workshop, 1-4 PM PST, April 14
Establishing an Online Presence for Writers, 6-9 PM PST, April 22

For more details and how to sign up, check out this page. If you’re interested in the writing F&SF stories class, that will be offered next in June/July.

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