Several New Classes, Plus On-Demand Content

mountains in the form of evening dress

mountains in the form of evening dress

I’ve just posted the latest round of classes, October through December, and wanted to call out a couple of highlights.

Because the Literary Techniques for Genre Fiction has been so much fun to teach, I’ve added a follow-up class with more techniques and lecture about sentence-level devices, Literary Techniques for Genre Fiction II.

Rachel Swirsky, one of the most talented writers I know, will be joining me for a special workshop, Re-Telling and Re-Taleing, focusing on drawing on mythology, fairy tale, and other common stories in one’s writing.

Because my friend Caren keeps telling me I should, I’ve added a Reading Aloud workshop to teach you how to pick and adapt work to read, how to prepare, and how to perform.

I’ve also added my first on-demand class, an amplified version of the Literary Techniques for Genre Fiction class on the Fedora Platform. My intent is to have on-demand versions of all of my existing classes plus some of the mini workshops I’ve done in the past up within the next six months. Stay tuned for an additional exciting project to be announced in December. 😉

If you want to be added to the mailing list for classes (1-2 mailings per month), fill out this form:

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About Cat

Cat Rambo lives, writes, and teaches by the shores of an eagle-haunted lake in the Pacific Northwest. Her 200+ fiction publications include stories in Asimov's, Clarkesworld Magazine, and the magazine of Fantasy & Science Fiction. Her story, "Five Ways to Fall in Love on Planet Porcelain," from her collection Near + Far (Hydra House Books), was a 2012 Nebula nominee. Her editorship of Fantasy Magazine earned her a World Fantasy Award nomination in 2012. She is the current President of the Science Fiction and Fantasy Writers of America (SFWA). She is currently working on Exiles of Tabat, the third book of the Tabat Quartet. A new story collection, Neither Here Nor There, appears from Hydra House this fall.
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