Get Fiction in Your Mailbox Each Month
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
This site is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
Monthly Archives: December 2012
Here’s my holiday gift to you. This story was original to the collection that came out in September, Near + Far. It’s one of my favorites. Here’s the print version as well as a link to the audio version, read by me and edited by the wonderful Lauren Harris.
Last week in the Writing F&SF Stories class, we talked about dialogue. This is a basic tool for a writer, one whose importance cannot be ignored.
I’ve started tabletop playing again, although it’s via Google Hangouts rather than in person. My brother’s running a Changeling: The Lost campaign and it’s a great way to spend a little time with both him and my sister-in-law, along with meeting some new fellow players. I really love what he’s doing, which is using a system called Microscope in order to collaboratively generate the setting for the game, and it’s making me wonder about the possibilities of it for generating a shared world setting.
I blogged a couple of days ago about arranging stories and my philosophy for such arrangements. I wanted to show those principles in action by looking at the two ToCs for the book Near + Far.
As you may know, the book is divided into two parts, near future stories and far future stories. This allowed us to take advantage of the old Ace double format, where each half is one side of the book. It also meant creating two tables of contents, one for each section.
So here’s the order for the Near section, with some explication:
The always fabulous Jude Marie Green mailed me. Her question, which got me thinking, was: What does an editor do (besides acquire) to make the issue “come together”?
It wasn’t the first time this question’s come up, and I’ve never seen much about it, so I wanted to talk a little about the idea of arranging things. Because an ideal magazine issue or anthology isn’t just a bunch of stories in a box. In theory, at least, the editor has selected stories that resonate with each other and arranged them in a way that’s meaningful. The whole is greater than the sum of the parts.
It’s that time of year when people are stepping up their reading for the various awards and their best of the year lists. I’m making my own, and if you’ve got something I should be paying attention to, please feel free to point me to it in the comments here or mail it to me.
In the past I’ve found the promotional bag of books from a con can vary widely in terms of quality. One treasure that emerged from my World Fantasy Convention bag, though, is THE RED KNIGHT by Miles Cameron. I’m about to send my copy off to a friend, and I thought I’d recommend it to other folks as well.