If I did an editing class, what sorts of things would people want to know? Here's some things that occur to me, but I'd like to know what else would be useful.
– How magazines work and what an editor does
– How to recruit and work with slush readers
– Manuscript editing basics, what to do (and not do)
– Working with writers
– Editing a single author collection versus editing an anthology with multiple authors
– Building a magazine's circulation via the Internet
Want to get a brand new, original Cat Rambo story in your mail each month for as little as $1? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
This site is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
Twenty fantasy stories of our world and others. Publisher's Weekly called them 'crisp and compelling'.
"If you want some really excellent stories, get the e-book. If you also want a physical object to warm the heart of any print-book collector, go for the paper version." Don Sakers, Asimov's
Cat's first nonfiction book talks about how to set up and maintain an online presence -- without cutting into your writing time.
Clockwork Fairies, a steampunk short story, originally appeared on Tor.com.
Cat Rambo |
Proudly powered by WordPress.
2010 Weaver by WPWeaver.info
|
Any differences between editing a novel and editing a short story collection.
Editing themed anthologies or magazine issues.
Sandra’s hit some good points. 🙂 Perhaps how to polish up your short story for a specific target, to better your chances of getting accepted and conversely how to re-edit something when after a few tries your short story doesn’t seem to fit in any market. Also how to edit with an eye toward making a contest entry shine.